by Carl Cafarelli
Teen idols seem to have a built-in obsolescence, virtually guaranteeing a short career for any artist whose primary appeal is to a fickle preteen female market. For the self-consciously hip, the teen idol tag carries a stigma beyond easy redemption, and the artists who cater to this market risk being forever branded as uncool.
In this context, no band was less cool in the ’70s than the Bay City Rollers, whose management went so far as to tout this harmless Scottish quintet as the